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среда, 4 января 2012 г.

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MuuMuse Approved: Neon Hitch – Fuck U Betta

Posted: 03 Jan 2012 05:32 PM PST

IMG 8848 thumb 500xauto 61870 MuuMuse Approved: Neon Hitch   Fuck U Betta

YASSSS! At long last, the studio version of Neon Hitch‘s “Fuck U Betta,” her latest Benny Blanco-produced single off of her upcoming debut album Beg, Borrow & Steal, has been unleashed onto the Interwebz.

Though Hitch has been performing this one live for months while out on tour, “Fuck U Betta” is finally making its formal appearance in 2012. Now, I’ve already been booty dropping to this one for a while now, and I must say: It’s still a staple in my nightly underwear-dancing-in-my-room sessions. Why? Several reasons:

For one thing (or really, for everything), the hook: “She can love you good, but I can fuck you betta!” I mean…DAMN! It packs such a punch! So you went ahead and found yourself a sexy piece? That’s nice, bet she can’t do it like Neon does! Personal anthem much?

Then, there’s that surging beat. It’s a little bit “Hold It Against Me”-lite until the chorus, which is actually a little “I Wanna Go,” right back to the dub-pop inspired skittering breakdown, which is a little bit “Hold It Against Me” again–making this one an easy win for fans of Brit Brit‘s Femme Fatale offerings. Plus, all the warped “Betta, betta, betta, betta, betta, betta, ay!” bits peppered throughout the chorus? So fun! So flail-worthy!

“Bad Dog” was a reg’lar pop stormer, but this? This one’s a no-brainer that’ll keep banging your brains out. Now get this track on the radio STAT!

I CAN FUCK YOU BETTUH, BAYBEE!

“Fuck U Betta” will be released this month to radio. (iTunes)

JoJo Breaks Into Top 40 of Billboard Pop Songs Chart, Remains At Large

Posted: 03 Jan 2012 12:16 PM PST

316273 10150362128343455 328378178454 10198932 188915 n1 JoJo Breaks Into Top 40 of Billboard Pop Songs Chart, Remains At Large

Authorities are now actively pursuing Queen JoJo after the former teen pop princess-turned-grown ass woman was charged with first-degree wig snatching and unlicensed use of flaw-free vocals this past weekend.

According to Billboard, the supremely talented pop perpetrator was seen breaking into the Billboard Pop Songs Chart at #38 for the first time in nearly 5 years with her latest incredible single, “Disaster.”

From Billboard’s Chart Highlights:

JoJo Levesque, who celebrated her 21st birthday Dec. 20, charts her first Pop Songs hit since 2007 with “Disaster,” the lead single from her forthcoming third album, “Jumping Trains.” She spent five weeks at No. 1 with “Leave (Get Out)” in 2004 and later scored top 10s with “Baby, It’s You” (No. 7, 2004) and “Too Little Too Late” (No. 2, 2006).

The Billboard team were not the only ones to bear witness to the event this week.

“With her recent game-changing chart debut on the Billboard Pop Songs chart, JoJo has revealed that not only is she more grown and sexy than your faves, but her enormously amazing new single, ‘Disaster,’ is slated to become the most important pop anthem of 2012,” explained Sam Lansky, a civilian who really likes JoJo a lot.

Though representatives from JoJo’s camp could not officially be reached for comment, Atlanta-based MuuMuse correspondent and grown ass woman expert NeNe Leakes phoned into MuuMuse headquarters to describe the event as “simply fabulous” before signing off with a final, chilling declaration: “Hi haters!”

We will continue to report on this story as it unfolds on the charts in the next coming weeks.

“Disaster” was released on September 6. (iTunes)

Paradiso Lost: Chelsea Korka Launches Solo Career

Posted: 03 Jan 2012 07:44 AM PST

zoom12 Paradiso Lost: Chelsea Korka Launches Solo Career

Chelsea Korka – “Make Me Feel”

No amount of Patron could ever possibly drown out the pain inflicted upon the pop industry since the untimely disbanding of short-lived girl group sensation, The Paradiso Girls.

As the European response to the Pussycat Dolls, the quintet was responsible for a slew of smashes–from the 21st century’s greatest ode to alcohol (“Patron Tequila”), to the very good, slightly unintelligible sing-songy sass attack (“Who’s My Bitch?”), to–well, that’s all they ever officially released, actually.

Still, the group was at the precipice of a seemingly immaculate debut when they suddenly stalled, faltered and fell apart in late 2010, as confirmed by a seemingly drunken Twitter rant by smiley face emoticon enthusiast and former member, Aria Crescendo.

But as with every girl group dissolution, there’s always a few solo aspirations: Lauren Bennett has already been confirmed as the first member of the reformed Pussycat Dolls, Kelly Beckett is working on a solo project under the rather ominous alias “Fuzzy,” while Aria’s doing…I don’t know, something weird.

Last night, Paradiso ex-member Chelsea Korka–the group’s US-bred brunette and former Pussycat Dolls Present: Search For The Next Doll runner-up–launched her official solo website, along with 5 brand new tracks as part of her solo debut EP, due out “soon” on iTunes.

From Korka’s journal (which, much to my dismay, is not titled “Korka’s Korner”):

I wouldn't know where to begin to actually explain how excited I am to finally show you all what I love and what I have been up to since Search For The Next PussyCat Doll and Paradiso Girls. For the past year I have been working hard with Big Bad University and Mark Rosas on my solo project and now the time has arrived! I just want to have everyone escape to my world and have fun!

Chelsea Korka – “My All”

Crafted alongside rising producer Mark Rosas, LMFAO‘s SkyBlu and artist collective Big Bad University, Korka’s debut is a strictly dance-pop production–from “My All” and “Lost In The Music,” two straightforward forays onto the dance floor with wild, surging beat breakdowns not unlike LMFAO’s own drunk-pop tunes, to “Make Me Feel,” a slightly ’90′s-inflected club cut which provides a sparkle of Wynter Gordon‘s With The Music I Die: “I love the way you make me feel when I’m back in your arms again/Feels like a dream, I hope it never ends,” Korka dreamily croons on top of the soaring chorus, later diving into a Brit Brit-approved dub-pop breakdown.

Further into the collection, the gritty, rapid-fire dubstep beats and reverb-heavy vocals of “Big Cheese” vaguely recall M.I.A.‘s Vicki Leekx cut “Generation N.E.Y.”, while the whistle-happy “In Love Again” marries the sunshine glow of Alexis Jordan with a touch of throwback ’80′s euphoria a la classic Whitney Houston.

While it’s true that nothing could ever properly reproduce the spark of the Paradiso Girls, there’s certainly promise in Queen Korka’s solo project: She’s a great singer and a great dancer. So who knows? With some even edgier pop production and added polish, perhaps Korka herself will have us all drunk and throwing up again someday.

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