mixtape maestro (2.0) |
Posted: 20 Nov 2011 01:12 AM PST As curious as we were to hear what would happen when fifteen-year-old English songbird Birdy applied her mature-beyond-her-years pipes and appealingly melodramatic, made for contemporary dance choreography piano-pop arrangements to more original material after leaving us mightily impressed with her covers of Bon Iver’s “Skinny Love” and The xx’s “Shelter”, we gotta admit, the fact that her self-titled debut is (save for one track) made up of all remakes just feels like a far more attractive package at this point in time, with us not willing to let go of the still enjoyable novelty of hearing this young girl’s lovely voice tackling songs familiar. One of the more attention-grabbing covers from reading through the album’s tracklisting lies with Birdy’s take on Phoenix’ crit-beloved “1901″, which strips away the dancefloor-crowding New Wave guitar fuzz of that ’09 indie jam for a classy soft rock shuffle that, along with the wordy verses and chorus, at times seems to overwhelm the teenager; but even if Birdy has no idea what’s she singing about (like the rest of us who sang along throughout last year) nor figures out how to completely maneuver her way through the more robust instrumental, she brings enough emotionally resonant baby diva moments within all the unnecessary musical busyness toiling about here to inspire repeat samples, as well as guarantee a spot sound-tracking some CW tween drama’s hugely dramatic closing scene. “1901 (Phoenix Cover)” (iTunes): This posting includes an audio/video/photo media file: Download Now |
Posted: 19 Nov 2011 10:39 PM PST Anyone who has ever lived life has dealt with a “BFF” situation that doesn’t live up to that final “F”, so here’s two points for Portland-by way of-Minneapolis indie folk act The Lower 48 for their “The End”‘s instant relatable factor…followed by a buttload more for the way they beautifully bring the plot to life. Powered by a gently peppy strum jangle, and the sweet, near-whispered intimacy of the lead boy/ girl harmonies, “The End” is a soothing homespun ear massage from beginning to end that’s made only better by the nice bits of lyrical detail they bring to a story centered on a once-strong friendship gone south: Hearing “It’s been awhile since I seen you/ I start to smile to cover change of states from green to blue/ You don’t talk to me and reacting properly/ I don’t ever talk to you”, feelings of awkwardness pierce the bones as if you’re one of the characters in the scene, while nostalgia for the days when “we entertained thoughts that nothing here could break us up” carry a bittersweet ring that fills the throat with knots. It’s the chorus that’s the real emotional sinker here though, the band’s stamp of closure on the relationship (“Oh I release you my old friend…”) followed soon after by a lone violin wail basically daring you not to get at least a little choked up inside from the sadness of it all. From the band’s newly dropped debut, Where All Maps End. “The End” (DL) (iTunes) (Amazon): This posting includes an audio/video/photo media file: Download Now |
Posted: 19 Nov 2011 06:22 AM PST With all the Chiddy Bang material that’s sprinkled the Web the past couple of years, it comes as a bit of a surprise that the alt-rap duo have yet to release an official full length; even more surprising, how in a current U.S. Top 40 world that quickly eats up anything similar “non-raw” hip hop acts LMFAO and Gym Class Heroes/ Travie McCoy serve, CB have come up short in penetrating the Hot 100 in a major way (with only 2010′s MGMT-sampling “Opposite of Adults” managing the group’s highest pop achievement State-side with a low peak at #90). So might their latest single “Ray Charles”, the new lead single for continually delayed debut Breakfast (now due February 2012), be the track that finally brings about a change in Chiddy’s homeland commercial fortunes? Hard to tell seeing as though the record, a piano-soul-based shout-out to the sound, cool and overall greatness of the titular music icon while simultaneously saluting one’s own top-of-the-world flyness (“I got my black shades on/ Smokin’ ’til it’s numb/ Head to he sky/ Feelin’ so on/ Ray Charles, I’m-I’m Ray Charles”), rocks as much of a feel-good charm as Chiddy’s previous non-radio-supported cuts. Still, even if “Charles” doesn’t generate the huge pre-release buzz the group seems to be desiring (and, in our opinion, deserving) in the weeks leading up to Breakfast‘s arrival, the record easily proves one thing: that the infectious chemistry between emcee Chiddy and producer Xaphoon Jones remains as on-point as ever. “Ray Charles” (iTunes): This posting includes an audio/video/photo media file: Download Now |
You are subscribed to email updates from mixtape maestro (2.0) To stop receiving these emails, you may unsubscribe now. | Email delivery powered by Google |
Google Inc., 20 West Kinzie, Chicago IL USA 60610 |
Комментариев нет:
Отправить комментарий